From the Academy to the Grand Palais
A Brief History of Parisian Art Fairs

© Chatillon Architectes pour GrandPalaisRmn

Courtesy of Art Basel


The art calendar’s focus is centering on Paris starting next week, as the city gets ready to organize this year’s edition of Art Basel Paris, formerly known as Paris+ by Art Basel. In honor of the event, in this article we explore the growth and evolution of the concept of art fairs in Paris, spanning from the historic academic Salons to contemporary showcases.
Paris has long been regarded as a cultural epicenter, where art, innovation, and creativity converge, and the city's art fairs reflect its rich artistic heritage and dynamic evolution. These events not only serve as platforms for artists and galleries but also foster meaningful connections between art lovers, collectors, and the broader public. This article explores the fascinating history of art fairs in Paris, tracing their development from the early academic exhibitions to the vibrant contemporary scene, while highlighting the pivotal role they play in shaping the global art landscape.

Early Beginnings: The Salon and the Academy
The history of art fairs in Paris begins with the establishment of the Salon de Paris in 1667, organized by the Royal Academy of Painting and Sculpture. The Salon quickly became the primary venue for artists to exhibit their work, holding a near-monopoly on the Parisian art scene for centuries. It was a powerful tool for the Academy, as it set strict standards for what was considered acceptable art, favoring classical styles and academic traditions. This control shaped the artistic tastes of the French public and collectors, providing visibility and prestige to artists who conformed to these norms. The Salon thus became synonymous with the institutionalized art world, where success depended on recognition from academic authorities. However, its conservative nature would eventually lead to tensions with more experimental artists, setting the stage for future alternative exhibitions and the eventual evolution of the concept of art fairs.

Pietro Antonio Martini, Salon du Louvre 1787
Photo: Siren-Com (talk | contribs)

19th Century Rebellion: The Salon des Refusés and the Rise of Impressionism
The 19th century marked a turning point in Paris' art scene with the emergence of the Salon des Refusés in 1863. This alternative exhibition was created by order of Emperor Napoleon III as a response to the rejection of a large number of artworks by the official Salon jury. It provided a platform for artists whose work was deemed too unconventional for the traditional Salon, including pioneers like Édouard Manet, whose painting Le Déjeuner sur l'Herbe caused a stir. The Salon des Refusés signaled a growing desire for creative freedom and challenged the conservative standards of the academic art world. This shift opened the door for movements like Impressionism, with artists such as Claude Monet, Pierre-Auguste Renoir, and Edgar Degas finding alternative venues to showcase their innovative approach to light, color, and composition, which they did at photographer Nadar's studio in 1874. The creation of the Salon des Refusés marked a critical moment in Paris' history, paving the way for more inclusive art exhibitions and signaling the decline of the Academy's control over artistic expression.

Le Salon des refusés
Photo: © BnF BnF, Estampes et Photographie, Rés. Dc-180b (72)-Fol

Global Showcases: The Role of Art in Paris’ International Exhibitions
During the late 19th and early 20th centuries, Paris became a global stage for art through its renowned Expositions Universelles, also known as World Fairs. These grand events, like the 1889 and 1900 Exhibitions, were designed to celebrate industry, culture, and innovation, and they provided a unique platform for art to be displayed alongside technological and architectural marvels. The Eiffel Tower, originally constructed for the 1889 fair, became a symbol of modernity, and the exhibitions themselves attracted millions of visitors from around the world. Art played a central role, with pavilions dedicated to showcasing the best of French painting, sculpture, and decorative arts, as well as works from other nations. These fairs helped to cement Paris' reputation as a cultural capital, fostering cross-cultural exchanges and bringing the latest artistic trends to an international audience. The Expositions Universelles offered a more diverse setting for art compared to the Salon, further democratizing access to modern and avant-garde movements and reinforcing Paris’ place at the forefront of the global art scene.

Plan général des différents espaces de l'exposition universelle de 1889 à Paris
Photo: imp. de Erhard (Paris), 1889

Early 20th Century Art Fairs and the Development of Modern Art
In the early 20th century, Paris continued to be a hub for artistic innovation, as the city witnessed the birth of Modernist movements like Fauvism, Cubism, and Surrealism. These avant-garde styles found new venues beyond the traditional Salon, leading to the emergence of small-scale art fairs and independent exhibitions that diverged from the academic standards. Private galleries and newly established salons, such as the Salon d’Automne (founded in 1903), became crucial spaces for artists like Henri Matisse, Pablo Picasso, and Georges Braque to present their radical approaches. These gatherings were often more intimate than the large-scale Expositions Universelles, allowing for a direct engagement between artists, collectors, and critics. While not yet formal art fairs as we know them today, these early exhibitions laid the groundwork for a market-driven art scene. They helped shift the focus from state-sponsored shows to independent private platforms that championed experimental art, driving innovation, making Paris the epicenter of Modernism and paving the way for more commercial art fairs later in the century.

Lithographic poster of Salon d'Autome 1903
Photo: Henry Bellery-Desfontaines

Evolution of the Art Fair Concept: The 20th Century in Paris
The concept of the art fair in Paris underwent significant evolution throughout the 20th century, transforming from a series of small exhibitions into a structured and commercialized market. The establishment of the Foire Internationale d'Art Contemporain (FIAC) in 1974 marked a pivotal moment in this transformation, providing a platform for galleries to showcase contemporary art on an international scale. Unlike earlier exhibitions, which were often focused on national prestige or avant-garde experimentation, FIAC emphasized commercial viability, bringing together established and emerging artists from around the globe. This shift reflected broader changes in the art world, as galleries began to operate more like businesses, catering to an expanding market of collectors and investors. The growth of art fairs in Paris was further fueled by the city’s reputation as a cultural capital and the increasing globalization of the art market. Over time, additional fairs such as Art Paris and Paris Photo emerged, diversifying the landscape and reinforcing Paris’ status as a central hub for art collectors and enthusiasts, while also reflecting the dynamic interplay between commerce and creativity in the art world.

Foire International d'Art Contemporain, 2013
Photo: g.sighele

Contemporary Art Fairs: Paris at the Forefront of the Global Art Scene
In recent years, contemporary art fairs in Paris have solidified the city's position as a vital player in the global art market, attracting a diverse audience of collectors, curators, and art enthusiasts. Grand events like the upcoming Art Basel Paris (formerly known as Paris Plus by Art Basel), Art Paris, and Paris Photo showcase a wide array of artistic practices, from established masters to emerging talent, offering a platform for both commercial transactions and cultural exchange. These fairs are characterized by their vibrant atmospheres both in and out of the venues, as they usually include an hors-le-murs program of activities throughout the city. They not only highlight the latest trends in contemporary art but also engage with critical social and political themes, reflecting the dynamic nature of the current art landscape. Some other, smaller art fairs include the Salon du Dessin or the Drawing Now Art Fair or the Parcours des Mondes Paris continues to host these influential events, it reaffirms its role as a beacon for innovation and creativity in the contemporary art world, fostering connections that transcend geographical boundaries and redefining the future of art in a rapidly changing global context.

Rendering for the 2024 edition of Paris Photo
Photo: © Collection Rmn – Grand Palais, Mirco Magliocca
The history of art fairs in Paris reflects the city’s ever-evolving relationship with art and culture. From the early Salons that defined academic art standards to the contemporary fairs that celebrate diverse artistic expressions, Paris has consistently maintained its status as a global art capital. The evolution and growth of platforms like Art Paris or Paris Photo, and the smaller yet impactful fairs demonstrates the city's commitment to fostering artistic dialogue and expanding accessibility to the art world. As the city prepares to host the latest edition of Art Basel Paris next week, art lovers and collectors alike are invited to immerse themselves in this exciting event. This fair promises to showcase cutting-edge contemporary art from leading galleries and emerging artists, providing a unique opportunity to engage with the vibrant artistic community. Join us in exploring the rich tapestry of creativity that Paris has to offer, as we celebrate the transformative power of art in all its forms.

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